WWYDK Zoom Single Session "The Oxymoronic Inversion"
Tuesday, August 19, 2025, 3 – 5:30 PT, 6 – 8:30 ET
Oppositions, contradictions, and paradoxes are at the heart of all compelling stories. In life, nothing is black or white, good or bad—or, it’s both at the same time. Nuggets that the rational mind cannot explain are catnip for the imagination.
In this session, you’ll experiment with framing scenes and characters with oppositions, contradictions, and paradoxes in mind. You’ll be amazes at the imaginative energy this generates.
What you’ll learn:
how to play in the paradox sandbox
how to balance a scene on the fulcrum of an opposition
the pleasure of generating a paradoxical image
how to flip your conception of a scene upside-down
how to use imagined realities to power up your story
Tuesday, August 19, 2025, 3 – 5:30 PT, 6 – 8:30 ET
Oppositions, contradictions, and paradoxes are at the heart of all compelling stories. In life, nothing is black or white, good or bad—or, it’s both at the same time. Nuggets that the rational mind cannot explain are catnip for the imagination.
In this session, you’ll experiment with framing scenes and characters with oppositions, contradictions, and paradoxes in mind. You’ll be amazes at the imaginative energy this generates.
What you’ll learn:
how to play in the paradox sandbox
how to balance a scene on the fulcrum of an opposition
the pleasure of generating a paradoxical image
how to flip your conception of a scene upside-down
how to use imagined realities to power up your story
Tuesday, August 19, 2025, 3 – 5:30 PT, 6 – 8:30 ET
Oppositions, contradictions, and paradoxes are at the heart of all compelling stories. In life, nothing is black or white, good or bad—or, it’s both at the same time. Nuggets that the rational mind cannot explain are catnip for the imagination.
In this session, you’ll experiment with framing scenes and characters with oppositions, contradictions, and paradoxes in mind. You’ll be amazes at the imaginative energy this generates.
What you’ll learn:
how to play in the paradox sandbox
how to balance a scene on the fulcrum of an opposition
the pleasure of generating a paradoxical image
how to flip your conception of a scene upside-down
how to use imagined realities to power up your story